Posts tagged: illustration

Photography Studios



photography studios

How to Start a Photography Studio: Estimating Your Cost of Sales

The cost of sales for a photography studio represents the direct costs of each job. Costs which support these jobs, but are shared among a number of jobs, are accounted for separately on your income statement. Knowing your cost of sales helps you to determine the gross profit you earn from a given job. It is this number, rather than the price of a job, which you should use to study the profitability and value of different jobs and clients.

What goes into cost of sales?

For location shoots, cost of sales will include all of the direct costs of travel to and from the location (whether it is gas, taxi, train, bus, etc.) If you are delivering prints, an album, or framed work, the cost of materials and labor to provide those services should be included. If you hire an assistant or additional photographers on an hourly or project rate for the job, the cost of that additional labor is also part of the cost of sales. However, if you or other employees work on a salary basis, the portion of your time spent on a given job is not considered cost of sales. As this salary would have to be paid regardless of the job happening, it is considered a general operating cost or fixed cost.

What you learn from cost of sales?

By looking at the cost of sales for different types of jobs and different clients as a percentage of the revenue earned for each, you will be able to compare the profitability of each project. Over time you may develop a standard maximum percentages for cost of sales. You should keep an eye on jobs which threaten to rise above this percentage. You can then determine on a case-by-case basis whether it is worth working with that client again, if the project should be priced differently, or if costs can be decreased in the future. Sometimes higher costs should be borne  for certain clients because there are non-financial returns to take into account (such as the publicity and reputation you might earn by doing photo shoots for celebrity clients).

About the Author

Are you looking for more tips on opening a photography business or advice on developing photography business plans? Call 877-BIZ-PLAN to learn how Growthink can help you build your photography business.

A Guided Tour in Yuri Arcurs’ Photo Studio

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Did photography replace an absence in her life or expose the truth of her heart’s emptiness? While growing in confidence as a photographer, eighteen-year-old Jessie Ann Gaebele’s personal life is at a crossroads. Hoping she’s put an unfortunate romantic longing behind her as “water under the bridge,” she exiles herself to Milwaukee to operate photographic studios for those owners who have fallen ill with mercury poisoning.   Jessie gains footing in her dream to one day operate her own studio and soon finds herself in other Midwest towns, pursuing her profession. But even a job she loves can’t keep painful memories from seeping into her heart when the shadows of a forbidden love threaten to darken the portrait of her life.

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Did photography replace an absence in her life or expose the truth of her heart’s emptiness? While growing in confidence as a photographer, eighteen-year-old Jessie Ann Gaebele’s personal life is at a crossroads. Hoping she’s put an unfortunate romantic longing behind her as “water under the bridge,” she exiles herself to Milwaukee to operate photographic studios for those owners who have fallen ill with mercury poisoning. Jessie gains footing in her dream to one day operate her own studio and soon finds herself in other Midwest towns, pursuing her profession. But even a job she loves can’t keep painful memories from seeping into her heart when the shadows of a forbidden love threaten to darken the portrait of her life.From the Trade Paperback edition.

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 An Architecture of the Ozarks: The Works of Marlon Blackwell


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“I live, practice, teach, and build in northwest Arkansas, in the foothills of the Ozark Mountains. It’s a place considered to be in the middle of nowhere, yet ironically close to everywhere. It is an environment of real natural beauty and, simultaneously, one of real constructed ugliness. Abandonment, exploitation, erasure and nostalgia are all aspects of this place and are conditions as authentic as its natural beauty and local form. This land of disparate conditions in not just a setting for my work — it is part of the work. By choosing to live and work here — to call it home — I’ve been able to get beyond the surface of things, to turn over the rock and discover the complex and rich underbelly of my place — its visceral presences and expressive character — that so informs and sustains my efforts. I am working from the conviction that architecture is larger than the subject of architecture.” —Marlon BlackwellMarlon Blackwell is a passionate polemicist. He’s also a very gifted architect. The projects in this first monograph on the “radical ruralist,” as touted by the Royal Institute of British Architects, offer a new architectural language that at once celebrate the vernacular and transgress the boundaries of the conventional. The results are — we can’t help it, there’s no better word — beautiful.Incisive essays by David Buege, Dan Hoffman, and Juhani Pallasmaa and lush photography by Tim Hursley, Richard Johnson, and Kevin Latady explore Blackwell’s projects, including his widely acclaimed Keenan TowerHouse, the award-winning Moore HoneyHouse, 2Square House, and Flynn-Schmitt BarnHouse, studios, and institutional buildings.

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