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Photography Portfolios



photography portfolios

Choosing a Theme for your Digital Photography Portfolio

Selling digital photography to stock photo sites or selling photos over the internet can be a very profitable business if you know all the nuances that will get you a good amount of sales. Learning the technical aspects is very important, and really paints the fine line between making money and wasting your time. I don’t mean to discourage anyone, because it should be conveyed that anyone with a digital camera, an internet connection and a little spare time can do quite well. A lot of people sell their freelance photos through stock photography sites or through their own page/web host without a particular theme and do fairly well, but I will take more time and effort. A better battle plan is to find a particular type or subject of digital photography that you can easily focus on.

To explain further what picking a theme really does for photography sales, it helps consumers easily find what they are looking for when they type in specific descriptions or set of keywords. This benefits you because if a consumer types in your specific subject there is a good chance that it will bring them directly to your freelance photography. If you don’t already have the program called Camera Dollars, then labeling and specifying keywords is something you have to learn, but this tool will help you. And after you read the Camera Dollars lessons, you need to sign up with these companies and do a bit of research in order to figure out a profitable theme to pick for your photography.

Here are are several different types of freelance photography themes and short descriptions of each.

The method of taking pictures as a Theme:

Some examples of this would be macro, scenery, black and white, geometric, architecture, abstract, micro, motion, portrait, or panoramic.

These are usually recognized by simple types of photography and aren’t usually profitable on their own. Usually you want to combine this with other themes, like instead of “50’s Television” you could use the theme “Black and white 50’s televisions.”

Nominal Themes:

Simply put these themes based on any object, person, or place. Examples are Dvd, chair, cookware, doorknobs, Bahamas, Britney Spears and so on.

Themes Based off of Photo Utility:

Instead of think of what to take pictures of think of what the person buying the photo is using it for. You can base your theme off of a particular job or usage for the photo. To give an example a lot of graphic designers buy digital photos off the internet, do some research and try to sell particularly to them.

Intangible Themes:

Intangible digital photography themes are based off of ideas, emotions and other ambiguous images. Here are some examples: Love, hope, existentialism, correction, trust, triumphant, justice.

Your digital photography doesn’t have to be specified by just one form. Any of these three types of subjects can be put together to make an even more specific category of photos. An example of mixing two themes would be like Motion and friendship, which can be a picture of two friends doing some activity together or otherwise being in the state of “motion.” You could have hundreds of themes by the time your done, but it is better to focus on a few at a time. Do your research and in order to learn about how to sign up or start your own business check out Jobs in Digital Photography

About the Author

Jack Watkins Photography: Portfolio

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$39.99


If you are an aspiring or professional photographer looking to break into advertising, “Advertising Photography: A Straightforward Guide to a Complex Industry” will provide you with an honest and uncensored look at this highly competitive and lucrative business. While working in the advertising photography industry can be glamorous and financially rewarding, it can also be intimidating and difficult to break into, requiring networking savvy, financial know-how, and marketing and business skills on top of photographic talent. Advertising Photography strips away the glitz and presents a candid and complete picture with solid advice to newcomers. You’ll learn how to get your business started, including writing a business strategy, successfully negotiating a bid, what to expect during the shoot, post production and delivery tips, and how to properly invoice your clients. The book explores several business management styles supported by the real-world experiences of veteran advertising photographers, illustrated with stunning full-color images of the work that got them where they are today. By examining the methods and strategies used by those who have already made it in the industry, you’ll learn smart business practices to apply to your own work, giving you time to focus on the creative aspects of your craft, which is what will ultimately lead you to a successful advertising photography career. Learn from the experiences–good and bad–of those who have been there! -Practical how-to tips, information, and examples from each of the top genres -Learn how to get your business started, including writing a business strategy, licensing and copyright information, creating branding for websites and portfolios, insurance and legal issues, and more -Essential industry resources for estimating and invoicing software, professional organizations, marketing services, and creative consultants

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 American Photography


American Photography


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Used – American Photography is a yearly journal that presents some of the most arresting photography by both established and emerging artists. These images are selected by a jury of creative professionals from the pages of magazines, books, advertisements, and personal portfolios. Volume 16 features documentary photographs by Gilles Peress, James Whitlow Delano, Robert Polidori, Alexei Hay and Sebastio Salgado. Also featured are fashion, still life and celebrity photographs by such image-makers

 American Photography


American Photography


$15.48


New – American Photography is a yearly journal that presents some of the most arresting photography by both established and emerging artists. These images are selected by a jury of creative professionals from the pages of magazines, books, advertisements, and personal portfolios. Volume 16 features documentary photographs by Gilles Peress, James Whitlow Delano, Robert Polidori, Alexei Hay and Sebastio Salgado. Also featured are fashion, still life and celebrity photographs by such image-makers a

 American Portfolios


American Portfolios


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Used – In three distinct portfolios, this exhibit format book astounds the viewer with American landscapes rendered into fine works of art. The first portfolio consists of 12 of David Muench’s striking and austere black and white images. The second portfolio includes the breathtaking large format photography that has made David Muench the most famous and best selling landscape photographer of his generation. The third portfolio presents the quickly emerging talent of David’s son, Marc Muench, wh

 American Portfolios


American Portfolios


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New – In three distinct portfolios, this exhibit format book astounds the viewer with American landscapes rendered into fine works of art. The first portfolio consists of 12 of David Muench’s striking and austere black and white images. The second portfolio includes the breathtaking large format photography that has made David Muench the most famous and best selling landscape photographer of his generation. The third portfolio presents the quickly emerging talent of David’s son, Marc Muench, who

 American Portfolios: Three Wilderness Portfolios


American Portfolios: Three Wilderness Portfolios


$2.74


In three distinct portfolios, this exhibit format book astounds the viewer with American landscapes rendered into fine works of art. The first portfolio consists of 12 of David Muench’s striking and austere black and white images. The second portfolio includes the breathtaking large format photography that has made David Muench the most famous and best selling landscape photographer of his generation. The third portfolio presents the quickly emerging talent of David’s son, Marc Muench, who has learned a family craft and brought to it his own artful eye.

 Antiquity and Photography: Early Views of Ancient Mediterranean Sites


Antiquity and Photography: Early Views of Ancient Mediterranean Sites


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Following the invention of the daguerreotype and calotype processes in 1839, views of ruins, classical statuary, and the antiquities of the Mediterranean and the Orient were among the first images produced by pioneer photographers. The unique accuracy and immediacy of photographs fundamentally changed aesthetic and scholarly approaches to the artifacts of the past. This groundbreaking book explores the intellectual underpinnings of the relationship between antiquity and photography in the period 1840-1880. Drawing on the extensive collections of the Getty Museum and the Getty Research Institute, this richly illustrated volume presents an introduction to the subject, followed by a detailed discussion of the influence of photography on archaeology, an analysis of the ways antiquity is depicted, and biographical studies of two major photographers, Joseph-Philibert Girault de Prangey and William James Stillman. Portfolios of works by Maxime Du Camp, John B. Greene, Francis Frith, Robert Macpherson, Adolphe Braun, and others appear between the essays.

 Anuschka Blommers & Niels Schumm: Anita and 124 other portraits


Anuschka Blommers & Niels Schumm: Anita and 124 other portraits


$50


Anita and 124 other portraits surveys 10 years of fashion photography from Anuschka Blommers and Niels Schumm, and is the first book to bring together all the wide-ranging elements of their increasingly closely-watched collaboration. The duo is known for playing with the conventions of fashion in their work: in one piece, they explicitly pictured the instructions they had received from a well-known Japanese fashion house telling them how to photograph the clothes; for another fashion photo they selected someone who was not a professional model and, contrary to the client’s expectations, worked with neither a hairstylist nor a make- up artist. This led to the creation of a hyper-real image that touched on the surreal. In this volume, their fashion portfolios–they’ve worked for Self Service, Purple, Dazed & Confused, i-D, Re-Magazine, Another Magazine, Visionaire, British and Japanese Vogue, Interview, and the New York Times Magazine–are presented in complete series, many in their original magazine layouts. Portraits are ordered alphabetically, which results in unexpected combinations of style, and of civilians and stars, including Veronique Branquinho, Hussein Chalayan, Anton Corbijn, Nicolas Ghesquiere, Rem Koolhaas, Steve McQueen, Chloe Sevigny, Hedi Slimane and Viktor & Rolf.

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